Album Review: Marilyn Manson – One Assassination Under God: Chapter 1

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Marilyn Manson’s latest release, One Assassination Under God: Chapter 1, emerges as a surprising triumph musically, yet a deeply troubling experience lyrically. As a long-time fan of Manson’s work, it’s refreshing to hear his strongest album in years, though the controversies surrounding the artist cast a heavy shadow over the listening experience.

Musically, this album is a return to form, with compositions that hark back to the haunting brilliance of his earlier work while exploring a darker, more contemplative soundscape. Tracks like “No Funeral Without Applause” and “As Sick As The Secrets Within” are standouts, with Tyler Bates’ powerful riffs complementing Manson’s mature, brooding vocals. The album’s closer, “Sacrifice of the Mass,” is a masterpiece, reminiscent of the vulnerability and grandeur found in “Coma White” from Mechanical Animals.

However, the lyrical content often feels self-indulgent and detached from the broader societal critiques Manson once excelled at. Instead of the biting cultural commentary that defined his prime, many lyrics seem to frame Manson as a misunderstood victim—a jarring narrative given the gravity of the accusations against him. Lines like “They don’t deserve to even say your name” feel uncomfortable, not for their provocative intent, but for the glaring disconnect between the artist’s past and present realities.

Despite its artistic strengths, One Assassination Under God is undeniably polarizing. For fans who can separate the art from the artist, it’s a rewarding musical experience. For others, the ethical dilemmas surrounding Manson’s personal controversies might make this album difficult to approach.

This record stands as a testament to Marilyn Manson’s enduring talent while serving as a stark reminder of the complexities and contradictions of its creator. Whether this is an album to celebrate or critique depends entirely on the listener’s perspective.